During production, I was tasked with media management, creation of production and editorial dailies using Nextlab, as well as some of the initial ingest and syncing in Adobe Premiere. On completion of filming, I became the head of conform, utilizing Filmlight Baselight to process all turnovers, VFX elements, and graphic elements for the colorist. I was also responsible for pulling stills and video for marketing, delivering the final visual component of the film, and assisting the colorist with archiving for Netflix.